soprano- sari gruber
Internationally acclaimed soprano Sari Gruber has appeared with Lyric Opera of Chicago, NYCOpera, Los Angeles Opera, Netherlands Opera, Maggio Musicale di Firenze, Saito Kinen Festival, Seiji Ozawa’s Ongaku-Juku, Opera Philadelphia, Pittsburgh Opera, Florida Grand, Opera Pacific, OTSL, Boston Lyric, Lyric Opera of Kansas City, Portland Opera, Austin Lyric, and Arizona Opera, performing her signature roles of Susanna/Le nozze di Figaro, Despina/Così fan tutte, and Musetta/La Bohème, in addition to Pamina/Zauberflöte, Norina/Don Pasquale, Adina/L’elisir d’amore, Gretel/Hänsel und Gretel, Gilda/Rigoletto, Juliette/Roméo et Juliette, Anne/Rake’s Progress, Vixen/Cunning Little Vixen, Rose/Street Scene, Alexandra/Regina, Nannetta/Falstaff, Aricie/Hippolyte et Aricie, Poppea/Agrippina, Carolina/Matrimonio Segreto, Marzelline/Fidelio, Fiordiligi/Così fan tutte, Zerlina/Don Giovanni, Adele/Fledermaus, Beth/Little Women, Lisette/Rondine , Miss Hedgehog/Fantastic Mr. Fox (World Premiere), and Helena/Midsummer Night’s Dream.
The 2005 Naumburg Competition winner and long-time member of the Marilyn Horne Foundation team, Ms. Gruber has sung many solo recitals with long-time collaborator Cameron Stowe at Lincoln Center, Carnegie Hall, and other noted recital venues in the US. Additionally, she has sung with NY Philharmonic’s Copland Festival and frequently with NY Festival of Song. Further concert credits include the Symphony Orchestras of Pittsburgh, Boston, St. Louis, Cincinnati, Milwaukee, Houston, Indianapolis, North Carolina, Richmond, Savannah, Omaha, Winston-Salem, Jacksonville, and Columbus, as well as Buffalo Philharmonic, Philharmonia Baroque, Indianapolis Chamber Orchestra, Boston Baroque, Portland Baroque, ProMusica Chamber Ensemble, Aspen Music Festival Orchestra, Berkshire Choral Festival, and Skaneateles Festival, performing solo repertoire including Messiah, The Creation, Mozart’s Requiem, Beethoven’s Symphony No. 9, Bruckner’s Te Deum, Mahler’s Symphony No. 2 and 4, Barber’s Knoxville: Summer of 1916, Seven Deadly Sins, and Songfest.
Recent performances include Lobgesang/Dallas Symphony, Messiah/Indianapolis Symphony, Four Last Songs/Syracuse Orchestra, Beethoven’s Symphony No. 9/Pittsburgh Symphony, and recitals with NYFOS, Bluff Series, and CMU’s Chamber Music Series. Ms. Gruber serves on the faculties of Carnegie Mellon University and Point Park Conservatory of Performing Arts.
The 2005 Naumburg Competition winner and long-time member of the Marilyn Horne Foundation team, Ms. Gruber has sung many solo recitals with long-time collaborator Cameron Stowe at Lincoln Center, Carnegie Hall, and other noted recital venues in the US. Additionally, she has sung with NY Philharmonic’s Copland Festival and frequently with NY Festival of Song. Further concert credits include the Symphony Orchestras of Pittsburgh, Boston, St. Louis, Cincinnati, Milwaukee, Houston, Indianapolis, North Carolina, Richmond, Savannah, Omaha, Winston-Salem, Jacksonville, and Columbus, as well as Buffalo Philharmonic, Philharmonia Baroque, Indianapolis Chamber Orchestra, Boston Baroque, Portland Baroque, ProMusica Chamber Ensemble, Aspen Music Festival Orchestra, Berkshire Choral Festival, and Skaneateles Festival, performing solo repertoire including Messiah, The Creation, Mozart’s Requiem, Beethoven’s Symphony No. 9, Bruckner’s Te Deum, Mahler’s Symphony No. 2 and 4, Barber’s Knoxville: Summer of 1916, Seven Deadly Sins, and Songfest.
Recent performances include Lobgesang/Dallas Symphony, Messiah/Indianapolis Symphony, Four Last Songs/Syracuse Orchestra, Beethoven’s Symphony No. 9/Pittsburgh Symphony, and recitals with NYFOS, Bluff Series, and CMU’s Chamber Music Series. Ms. Gruber serves on the faculties of Carnegie Mellon University and Point Park Conservatory of Performing Arts.
