tenor - daniel weeks
Daniel Weeks is an American Tenor/Artist/Professor, on the voice faculty at the University of Cincinnati’s College-Conservatory of Music. While maintaining an active performance career of opera, concert, solo recitals, and recordings, he is in demand as a master class clinician and guest artist.
On the concert stage, Mr. Weeks has appeared with the Symphonies of Houston, Dallas, Cincinnati, Indianapolis, Columbus, Dayton, Rochester, Memphis, Louisville, Huntsville, South Dakota, Bozeman, Las Cruces, Xalapa, the American Symphony, the Louisiana Philharmonic, the Oratorio Society of New York, the Orchestra of St. Luke’s, the Bach Festivals of Dayton and Winter Park, the National Symphonies of Mexico and Costa Rica, and the National Youth Symphony of Caracas. His operatic appearances include; Milwaukee’s Florentine Opera, and the opera companies of Cincinnati, Nevada, and Kentucky. The list of conductors with whom he has worked include Steuart Bedford, Christoph Campestrini, Christopher Warren-Green, Hal France, Stefan Lano, Jane Glover, Christopher Larken, Hans Graf, Gustav Meier, Vladimir Spivakov, Alessandro Siciliani, John Rutter, Carlos Miguel Prieto, Eduardo Müller, and Delta David Gier, among others. Stage directors with whom he has worked include; Linda Brovsky, Michael Cavanaugh, Leonard Foglia, David Gately, and John Davies. Mr. Weeks’ concert engagements include performances of the Evangelist in Bach’s Passions of St. Matthew and St. John, as well as his Weinachtsoratorium. Additionally, his repertoire includes; Verdi’s Requiem, Britten’s St. Nicolas, Rachmaninoff's The Bells, Dvořák's Stabat Mater, Beethoven's 9th Symphony, Handel's Messiah, Mozart’s Requiem, and Mendelssohn's Elijah. In February 2000, Mr. Weeks was the Marilyn Horne Foundation ON WINGS OF SONG recitalist with Donna Loewy, piano, in a radio broadcast recital at the Kosciusko Foundation in New York. His recordings with Centaur Records include; Women of Firsts (2007), The Lieder of Franz Liszt (2015), Van Gogh’s Flowers (2017), and Intimations of the Immortal Beloved (2022). |